Ulmer spent most of his Hollywood career working at B studios and once in a while on projects that achieved intermediate status; for the most part, on unmistakable Bs. Kubrick refused to use studio lighting, forcing Smith to use the available light sources visible in the shot, such as lamps and Christmas tree lights. Kubrick's perfectionism led to script pages being rewritten on the set, and most scenes requiring numerous takes. Jacques Tourneur had made over thirty Hollywood Bs a few now highly regarded, most forgotten before directing the A-level Out of the Past, described by scholar Robert Ottoson as "the ne plus ultra of forties film noir".
If you doubt that suggestiveness, just notice how the car bomb explodes as the honeymooners are ready to enjoy their first kiss on American soil. In the first chapter, two hitmen, Vincent John Travolta and Jules Samuel L Jackson , take possession of a mysterious briefcase before Vincent goes on to chaperone his boss's girlfriend Uma Thurman on an evening that spins wildly out of control. Strangelove represents the worst of the American national security establishment, Charles Grady represents the worst of Jack Torrance in The Shining , and Clare Quilty represents the worst of Humbert Humbert in Lolita. It's driven home in the final scene with Henry, in witness protection, bemoaning the awfulness of living as an "average nobody". With audiences reeling from the shock of Reservoir Dogs two years earlier, the mantle of world's coolest film director was his for the taking. Monogram created Allied Artists in the late s to focus on this sort of production. Even if you can't go along with that, there can be no disputing that it is the finest film noir of all time, though it was made in , before the term film noir was even coined. Jacques Tourneur had made over thirty Hollywood Bs a few now highly regarded, most forgotten before directing the A-level Out of the Past, described by scholar Robert Ottoson as "the ne plus ultra of forties film noir". For much of the s, one of the most prolific and successful authors of this often downbeat brand of suspense tale was Cornell Woolrich sometimes under the pseudonym George Hopley or William Irish. Its symbolic meaning is represented through its connection to the characters in the film; as Tim Kreider points out, this can be seen through the masks in the prostitute's apartment and her being renamed as " Domino " in the film, which is a type of Venetian Mask. Working mostly on A features, he made eight films now regarded as classic-era film noirs a figure matched only by Lang and Mann. The closing episode has an unexpected air of sitcom about it as Vincent and Jules turn to a clean-up specialist named the Wolf Harvey Keitel when a misfired gun leaves a nasty mess in the back of their car. The color was enhanced by push processing the film reels, which helped bring out the intensity of color. You got gut trouble or something? Kubrick's perfectionism led to script pages being rewritten on the set, and most scenes requiring numerous takes. After that meeting, the director awarded them the roles. The signal film in this vein was Double Indemnity , directed by Billy Wilder; setting the mold was Barbara Stanwyck 's unforgettable femme fatale , Phyllis Dietrichson—an apparent nod to Marlene Dietrich , who had built her extraordinary career playing such characters for Sternberg. Schnitzler himself, like the protagonist of this novel, lived in Vienna, was Jewish, and a medical doctor, though Schnitzler eventually abandoned medicine for writing. While Fridolin and Albertina, the protagonist couple of Dream Story, are sometimes implied to be Jewish , there is nothing in the novella which justifies this assumption, and neither Fridolin nor Albertina are typical Jewish names; whereas Nachtigall Nightingale is overtly identified as Jewish. Mann did some of his most celebrated work with cinematographer John Alton , a specialist in what James Naremore called "hypnotic moments of light-in-darkness". Due to scheduling conflicts, both had to drop out  — first Keitel with Finding Graceland ,  then Leigh with eXistenZ  — and they were replaced by Sydney Pollack and Marie Richardson in the final cut. Adapting James M Cain's novella about a straight-arrow insurance salesman tempted into murder by a duplicitous housewife, genre-hopping director Billy Wilder recruited Raymond Chandler as co-writer. He is also more overwhelmed by the orgy in the film than in the novella. Chandler, said Wilder, "was a mess, but he could write a beautiful sentence". The film's password is "Fidelio", from the Latin word for "faithful", and which is the title of Beethoven 's only opera Fidelio, or Married Love.
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